Go Pro HD - Ledge to Lancelin tune up

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Reflex Films
Reflex Films
WA
1460 posts
WA, 1460 posts
5 Jan 2010 11:53pm
i have Been playing with some different mounts with the Go Pro HDs for the Ledge to Lancelin race coverage and "Wizards of OZ" angle options.

All this camera techery was done while tuning up the Venerable Severne Overdrive 7.5 / Starboard Futura 101 combination. Some insane bottom end power with this combo. Thanks Auswind / Severne sails
These awesome little cameras pack a serious punch for their size.

I had some fun editing up all the different angles for continuity - to move around the action in time and space so to speak...


http://exposureroom.com/09553be4008949e5bfde018808d939e6/
Ellobuddha
Ellobuddha
NSW
625 posts
NSW, 625 posts
6 Jan 2010 10:53am
firiebob
firiebob
WA
3182 posts
WA, 3182 posts
6 Jan 2010 6:36pm
Very impressive Matt
CJW
CJW
NSW
1731 posts
CJW CJW
NSW, 1731 posts
7 Jan 2010 1:11am
I've got a question for you Reflex. Have you ever experienced condensation in the housing yet? If so what's your solution.

I get it a fair bit and currently use silica gel inside the housing sealed up 24hrs before use. Seems to work ok but as you're seemingly a professional you may have more efficient methods :)
Scope
Scope
65 posts
65 posts
7 Jan 2010 6:49am
very professional. Like the look of those clamp mounts. Are they specials or can they be purchased? Do you mind me asking what editing software you use, thanks
Reflex Films
Reflex Films
WA
1460 posts
WA, 1460 posts
10 Jan 2010 8:03pm
i have had some fogging - typically i dump 30 sec to 1 minute of my car's aircon into the housing - with the camera inside - the idea is to make sure there is as much dry air as possible in there before i seal it up.

some days no probs at all - other days i get fog after about half an hour or so - so its a little bit hit and miss. others have suggested a hair dryer to dry out the air.



I edit in final cut studio.

clamp mounts are manfrotto superclamps
Marcel_W
Marcel_W
WA
74 posts
WA, 74 posts
10 Jan 2010 9:55pm
All my go pro footage from the LOC is all fogged out.. bugger


pweedas
pweedas
WA
4642 posts
WA, 4642 posts
10 Jan 2010 11:34pm
Reflex Films said...

i have had some fogging - typically i dump 30 sec to 1 minute of my car's aircon into the housing - with the camera inside - the idea is to make sure there is as much dry air as possible in there before i seal it up.

some days no probs at all - other days i get fog after about half an hour or so - so its a little bit hit and miss. others have suggested a hair dryer to dry out the air.



I edit in final cut studio.

clamp mounts are manfrotto superclamps



If you run the car airconditioner for a few minutes (or any air conditioner for that matter) on the LOWEST fan speed setting and put the camera case in front of it and fill it with the freezing air it will help, for the same reason that the air con stops fogging up on the car windscreen.

The idea of running the fan on the lowest setting is to get the air as cold as possible as it flows over the evaporator. This means it will drop almost all of it's moisture on the evaporator and blows out cold dry air.

*** Close the case while it is still in the cold air flow. ***

When the air warms up again it can now hold far more water vapour than is in the camera case so you don't get fogging up, unless the camera case gets colder than the air was coming out of the air conditioner, in which case it's too cold for windsurfing so go home,

{edit} You can do this any time you like really, it shouldn't matter. Once the case is sealed it's supposed to be water tight. {/edit}

The small Silica gel bags would probably do a better job provided they are in good nik.
Reflex Films
Reflex Films
WA
1460 posts
WA, 1460 posts
11 Jan 2010 12:47am
i had some fogging issues too - maybe the lanno seabreeze air is really damp?
sboardcrazy
sboardcrazy
NSW
8335 posts
NSW, 8335 posts
11 Jan 2010 8:42am
Reflex Films said...

i have Been playing with some different mounts with the Go Pro HDs for the Ledge to Lancelin race coverage and "Wizards of OZ" angle options.

All this camera techery was done while tuning up the Venerable Severne Overdrive 7.5 / Starboard Futura 101 combination. Some insane bottom end power with this combo. Thanks Auswind / Severne sails
These awesome little cameras pack a serious punch for their size.

I had some fun editing up all the different angles for continuity - to move around the action in time and space so to speak...


http://exposureroom.com/09553be4008949e5bfde018808d939e6/

Great stuff!

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